A digital camera for life?


I write this because I have thought about it for some time now. Is there enough technology around for digital cameras today? Do we really need more? I believe that we might peak when it comes to digital cameras (and what we need them to do).

As for pro work, the cameras, in my opinion, have been good enough for quite some time, but since the mirrorless cameras have evolved to what they are today, I could easily get one and be happy with it’s performance for a long time. It will not get any worse as new cameras comes out. And I wouldn’t see the point in them getting any smaller than for example the Sony a7 series. Lenses on the other hand, I could see the benefit of them getting smaller and lighter.

As for personal work I think there are plenty of cameras out today that would do more than enough for you as a photographer in like forever. Take the Fujifilm X-E3 for example. Its tiny, still it has as the same image quality as the X-Pro2 and is as fast as the X-T3. I can’t possibly see why any amateur would need more than that for any type of shooting/printing.

Then we come to the digital Leica M cameras. I had the Leica M (Typ 240) and although it gave great results I didn’t think technology or design had come to it’s peak with that model. The new M10 on the other hand seems to have it all figured out. Both a slim design and technology more than good enough (including high ISO) for any photographer. Now I wonder if a digital camera could be bought with the same idea of an analog camera, that it would last me a lifetime? The performance won’t get any worse and it would always be as great of a camera as the day I bought it. Apart from battery life, that will get worse over time, I can’t see of any reason why it wouldn’t serve me and my camera needs forever. Or am I missing something? The obvious would be value. What is a digital camera worth after many years? As a pro camera I have the Nikon D800. An amazing camera when it came out, and still is amazing but for almost no money (in pro gear terms). I don’t see it drop much more in value over the years to come. As long as someone makes batteries for it I could hypothetically keep it around forever (as long as someone could repair it and my needs for client work wouldn’t change).

That brings me back to Leica. My dearest of camera brands. A camera that has really helped me in getting the images I want. I find my work pretty minimalistic and somewhat poetic. I have found that a “basic” camera design, like the analog M (7 in my case) is my ultimate camera. It becomes an extension of my work and my philosophy. I just can’t to get the same images with a Nikon D800. Technically I could, with it being far superior camera in that aspect, but no. I have a lot of stress within me in my daily life and I’ve found that using a Leica M helps me with that. I could of course turn many functions off on a D800 or X-E3, and I do, but it ‘s still not the same.

I have come to realize that and LCD screen does nothing but distract me. Both when shooting and reviewing images. On my family camera, the Fuji X-E3 I have turned the LCD off completely. And what a difference. I get way more focused on what’s happening in the viewfinder. And Leica, adding that clear rangefinder on the camera, makes it even more of a difference. Nothing stands in the way of me and my vision.

Leica M10-D

Leica M10-D

Now the Leica M10 has evolved into the M10-P, with it’s cleaner look and more silent shutter. Then drops the Leica M10-D… There it is! The decluttered digital camera of my dreams. No LCD on the back. Just black everywhere. No buttons to distract me or functions that I don’t need for my work. Wifi that connects to a Leica app on your smartphone or tablet. This camera only shoots raw and that is all I need. The question of a digital camera for life pops back in my head. Forget the analog vs digital arguments, because I will keep my analog M7 as long as they make Kodak Tri-X. But could you really get a digital camera today and use it for the rest of your life (me being 41 this year)?

The answer is, yes I think so. It would probably loose most of it’s value over time. Perhaps not all it being a Leica after all. They seem to always have, at least the brand value left. But would I care about value? Should I, if I’m not ever going to sell it? Sure, my Hasselblad will outlive us all and could be repaired for all future. The M10-D could potentially die on me in 20 years time or so. But I think Leica will be around forever to help me with an (expensive) repair.

So will I downsize my equipment in order to get the M10-D? Probably, in a few years when the prices have come down a bit. I believe it to me my digital camera for life. But ask me again in a couple of years and I’m probably hungering for some other new cool digital camera ;) (Leica, if you’re reading this: Leica Q50-D, with a 50mm fixed 1.4 Summilux-ish lens and no LCD).


Leica M7 - Initial thoughts

After have tried b&w film photography, I just can't go back to shooting digital b&w. The organic look that it gives is something I found that I just could not replicate, using a digital camera. I started my 35mm film journey with the Leica M3. Mostly for the 0.95 vf, that I thought would be great to use with my Summicron 50mm f2. And it was great. A little hard sometimes seeing the entire frame using my glasses, but otherwise a really nice shooting experience. I also loved using a rangefinder for focusing. I was surprised to get more keepers than using a slr. 

I have a weak spot for black Leicas but a black M3 is just out of my budget (also a black M2). I also figured that I could benefit from using another magnification. So I started looking at the M-A. Stopped when I couldn't find any used ones out there. It's just too new (and probably too good) to be found on Ebay etc. 

The M6 has always seemed like a great camera and after just getting the Leica M (240), I wanted an film Leica with dials that operates more or less in the same way. The M6 TTL does that and I missed a couple of nice deals on those. But after some intensive research online (because you really can't rent cameras in Gothenburg, as in for example the US) I started reading up on the Leica M7. It has aperture priority, something I wasn't looking for in a film Leica M. But the more I thought about it, the more I felt that I wanted both the internal meter and the aperture priority. I know myself and sometimes I need to nail the shot (of my kids) or sometimes I'm just lazy, not having my Sekonic light meter with me. And guess what! It works even in manual ;) I could just shoot it manually when I feel like it. 

Leicas in Sweden are actually cheaper than in other countries that I have looked (online). So when an great offer came by for this beautiful M7 I just decided that I was done looking. Time to start shooting :) I'm totally fine about batteries etc. They are supposed to last 70 rolls so, no biggie. The Leica M7 can be used without batteries at 1/60th & 1/125th so I'm fine with that. That for me is indoors and in the shade. 

The red Leica logo was exchanged to a black logo and I love that. I will use the M7 only with Tri-X and my silver Summicron 50mm f2. A combination that gives me good conditions to achieve the look I want. A look that I've found after reading my dear film friend Johnny Patience's thoughts on how to meter for 35mm b&w film. And also by taking up on his advise to overexpose and overdevelop the film when scanning negatives at the lab. More on this in another post.

If you haven't visited his website, do so now. Such an inspiration and sharing of wisdom seldom seen before. I also got the knowledge to get my color film looking the way I want here to. And I'm forever grateful! :)